重心很对男朋友舌头很软没有刻意去制造反转而是专注于人物塑造“可信”大过了“惊奇”所以才对味啊(低成本是显而易见的且不论最后恶棍如此随意地处理那俩手下就连这个帮派一共也就那么几个人来回折腾……;台词真的很够味儿了妙语连珠“You are fighting a swamp with a teaspoon”;打酱油的李范克里夫很是抢眼
将军:61.235.73.47
ib, office politics, power trading, sex, gay, drugs, feminist, cunt, fucking stupid working lives.
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.