Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
I see possibility as plenty at the beginning and boiled down to only one in the end; the present seems narrower than the past, and so does the future the present. 蔡明亮的叙事总是好得疯狂没见过同类爱情臭不要脸地总结说乡村风流小说似乎是命运之欲望忘掉生活时做的梦而且当两种爱情冲突的时候一种或者两种必然沦落为生活的一部分剧情简介那个投射观念倒是很有意思看电影时脑袋里就出来介质这个词但没想明白什么是什么的介质看简介说法突然记起当介质也是一个有血有肉有思想有社会地位和行为方式(或许pattern)的移动体的时候;骨灰之介质人之介质