OMG看到第十集凯莉真的让我无处吐槽怕真是受虐狂对于这样的人被伤害多少次都不会让人同情 自立自强的米兰达生了孩子还是保持自己的节奏向往婚姻的夏洛特也没有因为走入婚姻就失去走出去的勇气否认爱情的萨曼莎最后还是勇敢地尝了爱情的苦只有犹疑不决瞻前顾后的凯莉伤害了很多人自己还是没有确定的方向是的她是自由的她有她的姿态男人允许你摸他头和脸只是这种姿态对于我来说并不迷人我佩服那些果断不回头的女孩她们才是真正自由的最后还是最向往成为米兰达她坚强独立清醒有时候也可爱做好决定便坚持下去相信那些事情会改变我们的生活但不会改变我们这个人 I couldn't help but wonder... 以及纽约秋天的第一片落叶
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Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.