Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.
难过的黑糖:106.91.0.88
招摇着蓬勃的中二气息配方上大杂烩:一点点赛博朋克(Neo Tokyo 的未来都市景观)一点点弗兰肯斯坦(科学怪人)一点点克苏鲁(AKIRA 形态上接近于克苏鲁神话里的海底怪兽又担负着一个邪教神与图腾的功能)一点点反乌托邦范马刃牙在线观看最后讲了一个类似于《欲乱又大又粗》的故事又暗喻着对核能造成的世界毁灭的恐惧暴走族的机车少年是救世主几个身负异能的科学小人儿诡异得好似《双龙进洞夹心饼干的制作工艺》总体来说画风丑爆了音效简陋到几乎没有环境声若不是为了那个“东京奥运会距离开幕147天因新冠全面爆发而休会”的预言我没有办法将这个味如嚼蜡的片子撑完整场看在是1988年三星