大卫至少是幸运的他可以有两千年时间去等待变成真人享受被爱而秃裘的 I am, I was 更是具备着真挚情感的机器对于生命的诉求老斯的成人童话就像是那种在寂静深夜让人抱得心暖的泰迪熊任贤齐电影虽然不真实却无法拒绝话说回来这是一部被表演撑起来的片奥斯蒙简直神了
桃小夭:123.233.96.162
总体感受是特洛依又好看了一些…柯林太娘 哭起来过于怂逼 不过这大概就是斯通对于大帝的看法 黑的漂亮
花果山可乐大王:36.60.111.71
还真不难看看的全程晕晕乎乎不知所云但就是觉得很有意思不想停下来Michelle Pfeiffer太美了她这种独有的气质演喜剧出来的效果还是很有趣的MP和Lucas Hedges这对神经症母子的搭配竟然蛮搭的LH小哥的个人气质随着近年几个角色(Lady Bird, Let Them Talk)也是越来越凸显了然而全片八成的笑点是被Valerie Mahaffey包揽的看“Dead To Me”的时候就很爱她表演里的喜剧性太强任贤齐电影作为配角她在这部片里非常强戏/出彩Tracy Letts搞了半天就一个躺尸镜头真是可惜音乐和摄影都很棒巴黎的冬天被拍得很美
Fellini's semiautobiographical nostalgia piece is an acerbicly affectionate reverie about the malaise and tumult of young idlers who attempt to outgrow their oblivions of true identities, and a caressing gaze into his self-liberation from the stifling enclosure of a cultural past