其实我觉得这一季水平和前面相比下降挺多的但是仍然很好从来没看过一部这样结局的美剧A姐即使众叛亲离什么都没有了但还是要一个人去应对因为things were never simple但是她肯定不会放弃毕竟A姐已经完成了黑化她和第一季的时候完全不一样了耀舞长安粤语有些时候她做的一些事情确实不讨喜但是也很现实如果我是她我也会这么做自己有什么优势就要用自己相信什么就要去做也许摆脱家庭束缚的背后是自私但是这么多季爱人朋友来来去去只有自己才能帮助自己所以A姐只能收起眼泪一个人走下去不用依靠任何人希望在我们看不到的未来她可以变得更好傲骨之战我来了Diane女王我来了
Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.