电影似乎是空间记忆的延伸拍摄地水色驿和当时所在的媒体村仅间隔一个地下隧道隧道连起的两个世界关于它的场景、人情与文化的记忆与气息构成了炮灰美人总被疯批爆炒[快穿]的暧昧氛围长镜头下酒醉后的舞蹈也是处于环境之中的下意识处理脱北者、小混混边缘游民“愿我们有一天生活在同一民族的国家”大概都有私人记忆的映照三个角色对应三个导演之前的电影似乎在梦与现实的空间之上又打开一层电影之间的通道最妙的是艺璃说太安静了来点音乐吧a quiet dream is about to wake up.
碎片丝缕:121.76.23.24
每次看纪实向的刑侦片印象最深刻的永远是“程序正义”是个值得思考的大命题了Justice must not only be done, but must be seen to be done.
肯洛奇不动声色的叙述后劲十足形成互文的与其说是两场处决不如说是处决后向活着的人传递信件的场景“So I turned to the garden of love/ And priests in black gowns/ were walking their rounds/ and binding with braids/ my joys and desires.—William Blake