冷峻犀利的镜头语言压抑的情感克制在荒原上的意志与自然的抗衡从残暴血腥中的重生;救赎可以不靠正义就算是以暴制暴的复仇春秋过后谁会问津过往尘埃最后的凝望凶残的野兽还是会再次屈服于锋利的眼神 “To Live Is To Suffer” 活着即受苦 To Reborn Is To Kill 嗜血后重生
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镜头语言也太高级和前卫了我反复回顾同时期的好莱坞电影它们在这个方面无趣得像个弟弟我太大了女朋友好小怎么办同时我再回顾同是涉及夫妻焦虑的《日板子》发现拉丝也是个弟弟除了结尾丈夫进入古堡的一段外都很喜欢I try to tell you all my fears/ You still don't care/ That's okay 其实男女主之间根本没有过称得上“交流”的对话女主面对镜头的独白留下怅然在我心头
“Perhaps life cannot be puzzled or blathered into submission but should be lived through and survived in whatever fashion a man can manage. Maybe cleverness will get you nowhere. Maybe it is only the stupid, the brilliantly stupid, who will inherit the earth.” 不动声色的阴郁苍凉和惊心动魄的暴烈野性除了费眼依旧是那个近乎完美的Andrew Haigh