我真是爱死这三个老伙计了三个人换着躁B一PL是的从对日本的介绍深度来说就是bullocks但是对于美国和欧洲观众绝对算是足够船长作为三人里最闷骚的也非常契合这个主题对我来说日本这个卖点算是锦上添花我也没有想通过船长的外行视角神游这片美丽的地方James May就是这个系列最大的看点他和他的老伙计永远是最能让我笑成傻逼的最棒的presenter最后妈的我已经对这句话产生爆笑反射了:BIM, GUESS WHAT
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The different universes and atmospheres created by David Lynch always show a strong level of originality, as if the director was focused on creating something radically unique - a delicate balance of opposites, at the frontier of underground ultra-violence & perversion and heart-warming & simplistic vintage feelings. Freud meets Disney in heartland America. In trying to preserve such an ambitious equilibrium, Lynch does miss the mark at times. While Twin Peaks succeeded with absolute perfection in creating a heavenly space-time recently scourged by evil forces, Wild at Heart mixes the genres and styles in confusion, committing a “faute de goût" both in terms of aesthetics and script