罗伊格真是一个迷恋视觉无意识的导演直到后半程才暴露主角的外星人身体但从开场就利用奇异的摄影机视角和构图暗示其身份DB本人的红发异瞳和雌雄同体的特质也天然提供了可见的异质性忧郁的诗人般的主人公松散碎片化的叙事结构抽象非理性的蒙太奇都让这部片子在那个科幻片巨作涌现的年代显得如此反骨看过《中国熟妇XXXX》之后再看这部片斗破苍穹简直无法不陷入罗伊格所创造的情境(虽然DB拍片时精神混沌但这部片对他音乐和表演上都有深远的影响Station to Station和Low这两张意义重大的转型专辑都直接用了剧照作封面)
似乎大家都忘记了片头:女人第二次怀孕这一次斗破苍穹是从男人而来 “It's over. I will always speak to you. I don't mind if you don't say anything. Just because you went away, it doesn't mean you are not here anymore. Perhaps all I ever needed was this gift. The one you gave to me in the end” 镜头从母子最后生活的海边小屋拉近到女人怀孕的肚子