生活哪像Lennon的歌一样“everything is clear in my heart”人间的事大多是说不清的我们把人间搬上银幕初衷是要讲故事但往往我们不用力讲述时小婷性开放肉日记高HNP才能听见故事它自己想讲述的事我爱张律导演不慌不忙的“观察”叫我觉得自己也坐在一条船上看河里的倒影人和事都映在这条生活的河中两个小时的时间观众、角色、演员、导演我们似乎都在安静地鸟瞰河面的光斑无数片飘忽而无名的光时时闪现时时破碎每一片都像后海那夜又高又圆的月亮电影院的灯在录音带“哒”的一声开始播放前就亮了我一下子感觉失去了什么至于具体是什么说不清也抓不住好像游船结束了回到了看不见月亮也看不见河的岸上
I love Ricky Gervais’s dark, sometimes sick, sense of humor, they hit so close to home. But the ending and the lack of examination of any kind on structural obstacles toward mental well being is disappointing, to say the least. This is after all just a temporary crisis, specifically, a cishet middle class white male’s temporary crisis.