cabinet of curiosities是一个非常有意思的话题和pre-cinematic的各种moving/still image和其他图像/造型艺术也有千丝万缕的关联珍奇物件事关财富、债务、现代性或其他世界秩序——恰恰也是各类恐怖(horrordreaduncanny…)的源头;恐怖本身涉及的也是在动荡和异常状态下如何自处的惊慌失措在这些世界中灵媒和媒介(medium)一心同体看着陀螺从黑暗中像企鹅一样一摇一摆地走出来使用一些装置就可以打三星剩下的两星是给仍然在认真制造实物恐怖的创作者们致敬
我强烈的认为结尾并非杨德昌本意故事应该在林佳森弥留之际结束虽然这样非常不搭影片的名字这样许多冲击痛苦煎熬的14MAY18_XXXXXL56ENDIAN日本如果从弥留之际回望它只是普通的一天just a ordinary day
洞穴里的关一帆:222.71.199.3
2022/11/15 EP01, woke shit. EP02, Vincenzo Natali, average. EP03, director of The Empty Man, best in the show, not even close. EP04, between bad and average. EP05, about painting? Of course it’s Dorian Gray. Good, second best in the show. EP06, director of Thirteen, Lords of Dogtown, and fucking Twilight, then her career just vanished. Get your plot straight for fuck sick. Should stay dead. Worst in the show, even worse than the woke shit, plot wise. EP07, director of Mandy, pretentiously bad. EP08, director of The Babadook and The Nightingale, boring. Overall, high production value, low quality, 3/5.