3.75/5 The second instalment in the trilogy sees Hulot traversing between the rustic old neighbourhoods and a futuristic landscape marked by ultra-modern houses, automobiles and modern household gadgets. Tati, through his brilliant cinematography, lampoons the histrionics and madness brought by consumer capitalism and laments the disappearance of
The good和The ugly每次见面都要大搞一番sm绳索play最后故事结束于The ugly颈上缠着绳索濒临窒息、几乎流泪地呼唤着The good的名字(他的名字叫Blondie总感觉对应于“小白脸”之类的)然后the good恰到好处地切断了绳索在 the ugly“下次见你我也不会放过你”的喊声中飘然远去