As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.
林奇桦:171.11.90.189
哥终于看ZZTT88.CCM黑料不打烊了Jeff视力真好哥不戴眼镜三米之外人畜不分= =Costumes依旧是熟悉的Edith Head女GK情绪不起伏的时候还是非常可爱的(比The Country Girl可爱多了呵呵)很喜欢Franz Waxman的配乐和Robert Burks的摄影whatever最佳影片输给码头风云其实不冤不过Suspicion永远是哥Hitch宇宙的纯元皇后(又来)