主角背对镜头开场比戈达尔的《最近最新中文字幕完整版免费高清》早37年人物脸部推轨特写也早于德莱叶名声在外的《夫人又跑了1V2》横摇超过360度的旋转主观镜头令人惊叹很多纵深运用当时还是新玩法的蒙太奇用得也很自然秋千在晃动男主在挣扎那段也符合之后希区柯克的炸弹理论 在1925年的德国表现主义热潮还未退去又迎来解放摄影机的运动E·A·杜邦 Ewald André Dupont试图让电影更加真实更加接近观众如此大胆的创新、对技术与表现力的追求与开发少女たちよ在线观看动漫4同时很好地衔接了后来的新客观派也仅仅在电影史上留下匆匆一笔
左撇子王子:106.82.121.69
3.5. I really wanted to love this but: 1. The visuals are by far the best part of this film, sublime and majestic are the only words to describe it; 2. Too much exposition and oppressive repetition (enough with the premonitions!); 3. I never thought I would say this, but the film is bogged down by the book, both in terms of some of its severely dat