This is 2017's To Die Like a Man. Even tighter and better. Layers upon layers of social critique, each overlapping with another just a bit, highlighting a different aspect of her experience of this particular positionality. And just the right amount of surrealism.
電影大部份是重複克制壓抑,轉捩點在於報紙上的一句"blind,but not lonely"城市人物質豐盛但內心缺失,沉默過後的暴風,反社會反物質感覺濃烈,但所有轟爛了獨留下電視,就有點荒誕意味,但又有點賣弄,整套片說教感太強,令我想起funny game,硬是將討厭的東西反反覆覆硬塞入你腦中,感覺有點討厭