看的时候很欢乐但事后想来也不过是玩了一个小trick至于构成所谓political modernism核心的reflectivity原则深夜公交车的最后一排视频其实也不应该泛滥到任何媒介暴露现象都囊括在内就这部片里有戈达尔所执着的声画间的disjunctive montage么(自反原则说到底应该遵循碎片原则即瓦解清晰的时空连续体)还是“欲听后事如何且听下回分解”这种也算自反了更何况cognitive theorists早就认为问题不在于自不自反而在于“the paradox of fiction”:明明知道是虚构观众为啥还会有各种情绪反应(影片还是好看的)
噠噠噠(东8区版:123.233.5.84
A critical examination of existing perspectives on sex and gender. It shows the distinctions among sex, sex category, and gender and helps its audience understand the work involved in being a gendered person in society (West & Zimmerman, 1987).