Ford breaking the Western conventions, categorized sound into diegetic and non-diegetic sound. He use neutral shot, a perspective from directly on axis line, continuity of screen direction maintained by the intense level of story action. Two characters who can't occupy roles within civilized society, prostitute, alcoholic doctor. Note doorway shot.
这片的生猛之处不是迷奸的噱头而是男主在变态之路上每跨出一步每倒腾出新的一种玩法都毫无预兆时不时可以让观众喊一声what the f*ck空虚、寂寞的社会人永远呆滞的眼神机械的工作无趣的家庭从打开了哥罗芳盒子那一刻起SM成为午夜游魂的他才找到了唯一存在感女一号堕入一种类似斯德哥尔摩综合症的结尾出乎意料却又在情理之中跟男主的行为和心理形成一个闭环简洁的对白恰如其分的留白考究的运镜和光影上乘佳作